Netflix’ Kelly Luegenbiehl at the Global 50 CEO Talk 2019 in Frankfurt
July 9, 2019 by ruediger
Kelly Luegenbiehl, Netflixâ€™ VP International Originals, will be featured at this yearâ€™s Global 50 CEO Talk at theÂ Frankfurer BuchmesseÂ on Wednesday, 16 October 2019, from 2:00 pm to 3:00 pm in the Frankfurt Pavilion. The Global 50 CEO Talk will be presented by Livres Hebdo (France), with Bookdao (China), buchreport (Germany), PublishNews (Brazil), Publishers Weekly (USA), and the Frankfurter Buchmesse Business Club, featuring the Global 50 Ranking of the International Publishing Industry 2019.
Kelly Luegenbiehl will be interviewed for 60 minutes by the editors of the trade publications on Netflixâ€™ current broad interest in original international stories and book rights for its productions and programming, the experience of working with highly diverse local stories for global audiences, as well as Netflixâ€™ experience of working with the book, publishing and rights communities worldwide. The event will be chaired by RĂĽdiger Wischenbart.
Full press release here.
The Digital Consumer Book Barometer 2019 explores sales trends in e-books and audiobooks in Canada, Germany, Italy, The Netherlands, and Spain as well as foreign language imports. Based on real sales data provided by leading distributors, it monitors and analyzes the impact of key parameters like season, price points or genre category in both units (volume) and revenue (value).
The Barometer 2019 can be downloaded free of charge here, and at its sponsors.
With its innovative and in-depth mapping approach, the Barometer allows authors, publishers and retailers to optimize their catalog strategies as well as finetune their marketing approach.
Audiences increasingly make their choices of content purchases by picking rather the stories that they are interested in, and not by function of format, like a printed book or e-book or audiobook.
This game-changing shift in consumer preferences is reflected in the report title â€śDigital Consumer Book Barometerâ€ť, to highlight the format-agnostic methodology of the Barometer survey.
The Barometer 2019 builds on experiences of the Global eBook series (since 2011) and the premiere European e-Book Barometer of 2018 by RĂĽdiger Wischenbart Content and Consulting, who also initiated the new report.
The Barometer 2019 is a broad and inclusive collaborative effort of book distributors, notably its sponsors Bookwire, DeMarque, Libranda and the International Publishing Distribution Association (IPDA), together with additional data providing partners CB (formerly Centraal Boekhuis), Ingram Content Group and Readbox.
Deutsche Fassung hier.
â€śHow often do publishers ask their interns for advice?â€ť Sara Sargent of Penguin Random House was raising the question, provocatively, yet with a smile, in her keynote address to the Publishersâ€™ Forum in Berlin. She discussed how traditional book people can learn about new young audiences who seamlessly navigate between reading, binge watching, gaming, chatting, texting and posting, while having no remorse of blending their books and reading with all the other intake they have in their daily lives.
How, and where, and from whom do book people learn? This is the question I want to raise, after countless conversations over the past half year with colleagues and friends, recognizing that, at least in my view, in our industry we are dramatically short of functional, adequate, open and diverse enough platforms and formats to address
- Concerns around transforming markets and reading audiences;
- Insights on new audiences, not just for books and reading, but to new storytelling, new consumer practices, and crossovers between entertainment, education and access to knowledge;
- Learnings from successful, and failed, steps of transformation;
- Strategies for re-thinking the business of books and reading.
Closing the Publishing Forum in Berlin after 16 editions, and hearing from other organizers of professional discourses many similar acknowledgements of a loss of traction with stakeholders and audiences, I see a necessity to re-think the professional debate about the business of books (and as a result, of publishing conferences) on multiple levels:
- We need better formats.
The common mix of keynotes, panels and workshops results in debates that are either too general, or too granular, and hardly effective in feeding new insights and experiences across sectors and hierarchies;
Too little preparation and formatting of input occurs before people gather for their exchange; and too little provision of tangible takeaways is given after they return to their routines;
We spent most of the cost on airfare, hotels and fancy venues instead of investing in a smart mix of on-site and online interaction, before, during and after a convention.
- The communities of participants need to be opened.
Gatherings are too exclusive, bringing together people of similar functions and status, rather than cutting across hierarchies and experiences;
Diversity and inclusiveness are neglected in their central relevance to the industry, by gender, but also by culture and background, ignoring the changed demographics in the societies that publishers are catering to;
Input with data and learnings from other â€“ neighboring or entirely alien â€“ sectors must come as a key ingredient, not some exotic fancy.
- Collaboration must become an organizing principle.
How can industry stakeholders become owners, not customers of the debates and events?
How can professional educational organizations, industry researchers and practitioners convene interactively?
How can expectations and targets become guidelines in the curation of debates and events?
I have been running publishing programs in many ways since 1995, as coordinator for Austria as a guest of honor in Frankfurt, head of communications at the Frankfurt Book Fair, international director of BookExpo America, and now for six years as director of the Publishersâ€™ Forum.
Today I am convinced that we must return to the drawing board, to re-design the agora for the book industry from scratch.